Archive for February, 2008

Links, Episode #351

The Guardian Peter Greenaway to animate The Last Supper. I love the way Greenaway thinks. He’s a true original. Can’t wait to see what he makes of this opportunity.
Scott 2 B Certain goes backstage @ BAFTA/LA event. Funny
<--- popbytes with excerpts from the new W with Scarjo & Portman (promoting The Other Boleyn Girl)
Silly Hats Only has the Muriel Awards. I voted
Defamer more on the ongoing Kathleen Turner / Nicolas Cage feud. I use to really worry that this blog was regressing to the 80s… but it’s the pop culture universe from fashion to movie stars to. It’s not me, thank you. What year is it again?
Towleroad The Little Dog Laughed, a sharp comedic play about a closeted gay Hollywood star is playing in Connecticut. I wouldn’t miss it if you have the chance
EW why the Sex & The City clones can’t get it right… although basically this article implies that there is no cloning that would work. I agree with the notion that a new group of people needs representation, fantasized or otherwise. There’s many voices that haven’t been heard.

Time to go back to the festivals: Berlin
The Telegraph Madonna is @ the event with Filth & Wisdom
European Films my friend Boyd has a ton of great coverage… and mouthwatering photos for true cinephiles.
Band of Thebes covers the queer films playing at Berlinale including Dream Boy. I wasn’t aware anyone had made a movie of that. I loved the book and when I finished reading it years ago I thought “wow, this would make a great movie if it found an audacious creative director to transfer it” –did they pull it off?

Source: Links, Episode #351

Coming soon? There Will Be Blood II


Drinking your milkshake all over again … There Will Be Blood’s Daniel Plainview

Towards the end of a gathering at the Berlin film festival - at which the problem, to quote Evelyn Waugh, was not the quantity of wines but their variety - the conversation idly turned to what would be the worst ever idea for a film sequel. The result was as follows, and those who have yet to see the original film should probably avert their eyes:

There Will Be Blood II

Daniel Plainview is in prison. The scene fades in on Plainview’s cell, in which he is digging an escape tunnel. He has already excavated a 15ft shaft, and is now preparing the horizontal section. As Jonny Greenwood’s disturbing score rises to ear-splitting volume, Plainview hacks wordlessly away at the stony earth for 20 minutes with a pickaxe made from a fork stolen from the prison canteen, attached to a toothbrush handle. A whistle from his cellmate alerts him to the imminent arrival of the fierce prison warder, Mr Mackay. He frantically scrambles up the rickety wooden-ladder made of lollipop-sticks; the top rung snaps off and Daniel falls back down into the earth with a sickening thud. “Oof,” he says. “I really am getting too old for this.”

The next scene is a secret meeting of prisoners, that Plainview is patiently addressing in his unmistakable voice. Next to him stands a younger prisoner.

“Gentlemen,” he says, “you need a mass breakout from this prison and that is why you have come to me, because I am a real escape man. You will receive other approaches from people who are not real escape men. They are mere speculators. They want to get between you and the escape men. I am a real escape man. I and my young cell-bitch HW here can help you.” The meeting ends in disorder and shouting. Plainview and HW stomp away.

The next scene shows Mackay shouting at Plainview in a strong Scottish accent, his head waggling back and forth like a turkey, shouting into his face, while Plainview stares directly ahead. “You’re up to something, Plainview. I can tell. I don’t like the fact that you’ve got that large Turkish rug on the floor of your cell and you never stand on it. And last night in the canteen … we served milkshakes as a special treat. The prisoners either side of you at the table complained that their glasses appeared to be empty. Don’t try any funny business with me, Plainview! I’m warning you!” At this moment, another warder, Mr Barraclough, appears. “Don’t be too hard on Plainview, Mr McKay,” he says, voice quavering with liberal concern, “apparently he’s got a bad back”.

The next scene shows that Plainview has abandoned the tunnel idea and is now standing on top of the perimeter wall, wearing a gigantic pair of clear plastic wings, made from dozens of empty crisp packets taped together.

“I must go now, HW,” says Plainview to his distressed young friend. And with that Plainview launches himself into the air and flapping his arms madly, just catches an updraft of air and sails out to freedom.

So far that’s all we’ve got. For the rest of the script perhaps, like Snakes On A Plane, we can bring together everyone’s suggestions from the blogosphere. Then it’s just a matter of faxing the treatment over to Daniel Day-Lewis’s agent. Or maybe we should cut out the middle man, get the next Ryanair flight over to Ireland and pitch it to Mr Day-Lewis personally. Do I hear the words “restraining order” …?

What’s your pitch for the worst movie sequel of all time?



Source: Coming soon? There Will Be Blood II

Jette Kernion
Filed under: Comedy, New Releases, DVD Reviews, Home Entertainment

I was assigned to review I Could Never Be Your Woman last year about this time, but the theatrical release date was pushed back at the eleventh hour. The movie then had a fall release date … which also vanished. Now this romantic comedy starring Michelle Pfeiffer and Paul Rudd and written/directed by Amy Heckerling has gone direct to DVD with no U.S. theatrical release at all. You’d think this must mean the movie is a real stinker, but that’s not the case. (Entertainment Weekly has an interview with Heckerling that tells the story behind the release problems, which seem to be grounded in financial and distribution snafus.)

I Could Never Be Your Woman is almost an entertaining, lightweight comedy, except for one flaw: its message is about as subtle as those in a Disney sports movie. Rosie (Pfeiffer) is a 40-year-old TV writer/producer who fears she is growing too old for her job, and too old and ugly for romance. When she falls for Adam (Rudd, who was in Heckerling’s Clueless back in 1995), who auditions for a bit part on her show, she continually tries to halt the relationship because the age gap worries her so much. The young people all seem to be jeering at her; the old guys get to be fat and jerky and have no trouble finding work or attractive partners. Meanwhile, her teenage daughter Izzie (Saoirse Ronan) has just started being interested in boys, and she is suffering from body issues too.

If the themes about female insecurity over age and weight and attractiveness were presented in a more subtle way, the movie would have been more effective and probably more fun to watch. Unfortunately, nearly every word out of a woman’s mouth in the movie is about these issues. Rosie is hounded by Mother Nature (Tracey Ullman), who continually reminds her of her physical shortcomings compared to the younger women around her. Izzy writes parodies of Britney Spears and Alanis Morrisette songs with lyrics about how women are perceived. I don’t think it’s unrealistic that every woman in this movie has body issues, or even that they talk or think about them, but the strident dialogue plus the songs plus Mother Nature plus hints elsewhere in the movie start to wear you down after awhile. It’s not feminist polemic, either — the women in this movie are a lot happier when they’re dating, and they’re less interested in their work than they are in their relationships, for the most part. And then there’s the “catfight,” complete with hairpulling, that definitely feels like a throwback.

On the other hand, if you can get past the heavy-handed message, the actors in this movie are at their comic best, and make this movie worth watching. Rudd and Pfeiffer make a fun (and very attractive) couple, and Jon Lovitz is strangely believable as Rosie’s ex-husband. Fred Willard pops in periodically as a network exec, Stacey Dash (also in Clueless) is a wonderfully pouty and bitchy teen star, and you’d never know that Saoirse Ronan was Irish from her performance as a Southern California pre-teen. Tracey Ullman seems superfluous as Mother Nature — normally I love watching the actress, but I think the movie would have been better without the character.

The DVD also contains some deleted scenes and a commentary track from director Amy Heckerling and producer Cerise Hallam Larkin. I only made it through about half the commentary track, which talks primarily about the challenges presented in shooting most of this film in England — a lot of the supporting cast is British, although you’d never know it from their flawless West Coast accents.

I Could Never Be Your Woman is a good DVD rental if you want a light comedy with a little romance and a charming cast. And it did one wonderful thing for me — I was able to overcome my disappointment with Paul Rudd as a romantic lead from Over Her Dead Body. My Paul Rudd crush has been happily restored.

Tags: Amy Heckerling, Cinematical, film, Michelle Pfieffer, movie, Paul Rudd, Saoirse Ronan

Source: DVD Review: I Could Never Be Your Woman

George A Romero has been discussing his dream projects and we’ve decided that we’d probably pay 10 times the price of a normal cinema ticket to see one of them.

Romero said: “I have this balls-out comedy zombie thing I have wanted to do for three years. It’s basically the coyote and the road runner. It’s one human and one zombie. You can do a lot of damage to a zombie, and it still lives. So I just had this idea that I’d love to do that [as] almost a cartoon. That’s the one that’s closest to my heart, but I don’t know if anyone’s ever going to get it enough to say, ‘OK, we’ll finance that.’”

Which, we’re sure you’ll agree, sounds like a work of genius up there with Citizen Kane, Vertigo and Return Of The Living Dead. We really hope a film suit somewhere sees sense and gives it the greenlight.

To hear George’s thoughts on the films he’s wanted to make since childhood, go to Scifi.com

Source: News: George A Romero discusses dream projects

News: Star Trek flies to 2009

The plot features some tinkering with time, so it seems somehow appropriate that JJ Abrams’ new take on Star Trek should fall through its own release wormhole, shifting from this coming Christmas to next May.

That’s the US release plan, of course – though given that the original UK date was within a day of the American schedule, chances are we’ll see a similarly close summer outing for Kirk and company.

Variety’s story indicates that studio bods think this will give the film a better chance at box office success – which is surely a thumbs up for the fledging franchise. As the trade mag mentions, this is likely just the first in a major reshuffle of next year’s movies following the end of the writers’ strike. Oh, and that sound you hear is a hundred effects technicians breathing a sigh of release that they have more time to finish all the visuals.

Source: News: Star Trek flies to 2009

No, it isn’t time to replace your spectacles; you really did just read that headline.

Take it with a large pinch of salt, but according to an Ain’t It Cool scooper, Al Pacino is due to visit Pinewood in April/May, to film a cameo as the head of the terrorist group first mentioned in Casino Royale.

Go to AIC to read the full story. Suffice to say, we’re not so sure about this one.

Source: Rumour Control: Al Pacino in Quantum Of Solace?!

‘Street Kings’ Poster Arrives

Erik Davis
Filed under: Drama, Movie Marketing, Posters

The good folks over at Fox Searchlight have just sent us the new poster for Street Kings (click on the image for a larger version), starring Keanu Reeves as a cop who, following the death of his wife, finds himself framed for a murder he didn’t commit. In order to clear his name, he’ll have to up against a cop culture he’s been a part of his entire career. And he’ll do it without help from steroids. Take that Clemens! The first trailer debuted a couple days ago, and the film also stars Forest Whitaker, Hugh Laurie, Common, Chris Evans, The Game and Jay Mohr. It’s gritty, it’s directed by David Ayer and it arrives in theaters on April 11. For more on Street Kings, head on over to the film’s official site (which is in teaser mode right now, and will be updated with all sorts of goodies as the release date draws near).

Tags: cinematical, common, forest whitaker, jay mohr, keanu reeves, street kings, street kings movie poster, StreetKingsMoviePoster, the game

Source: ‘Street Kings’ Poster Arrives

Erik Davis
Filed under: Casting, Celebrities and Controversy, Trailers and Clips

Before I begin, you all need to know that I have not — nor will I ever — inject something into my ass. Now that we’ve cleared the air, anyone else watch this Roger Clemens thing this afternoon? What’s up with this whole thing? And why does it have to turn into this ridiculous circus, with athletes testifying in front of Congress — reports, analysis, blah blah blah. How does this help? When little Jimmy finds out that Roger Clemens won 150 Cy Young awards because of steroids, he won’t touch the stuff … because? Yes, great, they all did steroids. Let’s test everyone from now on. Perfect. Problem solved! Oh no, there needs to be another investigation. And then another hearing. And then more people need to testify. Why? WHY?

Look, steroids are a big problem. Parents need to teach their children not to trust people who want to stick needles in places reserved for a little light smacking on an alcohol-fueled Friday night. And if these kids don’t listen, then we need to use some scare tactics. Show them what steroids really do to a person. And since I’m a nice guy who wants to help, you can point your son or daughter toward the video below. After they watch it, you say: “This is what steroids do dammit! Love your body! Don’t give into peer pressure!” Then you can come back here and thank me. No, wait, don’t thank me. I’m just doing my job.

Tags: cinematical, roger clemens, steroids

Source: From the Editor’s Desk: The Whole Steroids Thing

The MTV Blog has gotten its paws on this exclusive figurine pic of the character Wer-Wolf from May’s The Chronicles of Narnia: Prince Caspian. The character is “a half-human/half-wolf hybrid that operates 24/7, regardless of full moon.” This thing reminds me of some beastly creation from Rod Serling’s Night Gallery, and I’m not sure I’ve ever seen a lycanthrope wearing such a pronounced cape. A b-ball jersey, sure. I dig it. You?

Source: First Look: Prince Caspian’s Wer-Wolf

10 Days…

Source: 10 Days…