There Will Be Blood … and there will be requital
Is there anything additional welcome than a good revenge flick? Whether eaten hot, cold, al dente or through fava beans and a nice Chianti, it be possible to be the most delicious dish. Partly, it’s the investing. involved: we agree to endure maybe each hour or more of pain and suffering alongside our protagonist, largely for the brief catharsis of that brutal final stagger. For non-violent types, our demons are exorcised by those minions on the big screen, so – hopefully – safeguarding that annoying guy in the supermarket queue. A valve is opened, pressure released.
The cross format of chronology-shuffled Memento leaves a more empty feeling. We view our revenge in the first scene and then be necessitated to relive the original crime without the following catharsis of retribution. Most films offer closure; this one presents excepting that an endless search – more realistic, possibly, on the contrary inevitably less satisfying.
Here are my top picks of films that punish the wicked in ways that seem – if not fitting, then appropriately sanguinary, in the context of the film. What are yours?
1) For Lenny, revenge is a dish to be eaten all day every day. It’s a reason to live, for somebody who has nothing else.
2) A thin skin from a trilogy concentrating purely on the nature of retaliation, questioning the motives and the potential fulfilment: Sympathy for Lady Vengeance. An orderly queue of parents wait their turn.
3) A ghostly mother and daughter, with the help of the spirit of a black cat, take revenge upon the samurai who killed them in the wonderfully theatrical Kuroneko. I love the evil feline rank in the movements of both actors – who needs CGI when you’ve performances like these?
4) Enter the Dragon employs the classic flashback to put in mind us that retribution is required. The immortal Bruce Lee – would you dare diss his sister?
5) A reversal of an earlier scene in A Clockwork Orange – and this time, the elderly are victorious in the war of the ages.
Last week, greatpoochini invited you to consider the casting decisions with appearance of truth taken at 4am after an absinthe-fuelled brainstorming sitting. Here are his five favourite of your 208 nominations:
1) Getting one of the more controversial picks out of the way first, James Stewart in Rear Window is more pent-up pussycat than one of the “two most frightening ghouls I have ever known” (4min 20sec in). I think I now know why this is one of the few Hitchcock films that hasn’t tempted me in the rear for a repeat viewing.
2) With many heartfelt nominations, Keanu Reeves emerged for example the sweetheart of the badly miscast. “To learn is to change!” he cries in this scene from Little Buddha. Casting directors should take heed.
3) There’s a continual wrestling match between the Hollywood actor and the Irish accent. Gene Wilder wins by two falls and a knockout in Quackser Fortune.
4) Four minutes feel like 40 as the dialogue crawls off the screen, just abaft the missing chemistry between Gary Cooper and Ingrid Bergman in For Whom the Bell Tolls.
5) Angela Lansbury stars as Hedy Lamarr’s sister (obvious when you think about it). Throw in Victor Mature and we be seized of Samson & Delilah. Watch out for a delightful “C’mon” from Vic to close the clip.
And this week’s winner is Tanarus for tracking down this shearing of Sir Laurence Olivier in the 49th Parallel (2min in). I don’t absolutely understand if that’s a advantage approximation of a French-Canadian accent, but the Grand Guignol awfulness of that laugh is classic gold. Tod Slaughter, eat your heart out!
Thanks to the take one’s ease of the Keanu brigade, more nilpferd, SonofRojBlake/frogprincess, Jimbojames, hydromax and shiapet66 for the rest of this week’s clips.
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