‘All tastes are catered for’ … Cloudy With a Chance of Meatballs
Pixar and Dreamworks may be the two leading lights in Hollywood when it comes to spirited fare, but Sony Animation’s repaired offering suggests there may be a new kid on the block. The critics have gobbled up Cloudy With a Chance of Meatballs, the studio’s third movie, with some degree of gusto.
- Cloudy With A Chance Of Meatballs
- Production year: 2009
- Country: USA
- Cert (UK): U
- Runtime: 89 mins
- Directors: Chris Miller, Phil Lord
- Cast: Andy Samberg, Anna Faris, Bill Hader, Bruce Campbell, James Caan, Mr T, Tracy Morgan
- More in succession this film
This 3D have the presumption touching a young soul who invents a instrument of force that turns irrigate into food is based on a popular 1970s children’s volume, though it’session a fairly remit process. Here, the action is transferred to a weirdly Americanised island in the mean of the Atlantic which is overseen by the swinish Mayor Shelbourne (voiced by a very funny Bruce Campbell of Evil Dead fame in a welcome break from his cameos in the Spider-Man movies for old mucker Sam Raimi).
Meatballs (as you’ll forgive me for calling it for the rest of this review) also provides more crowd-pleasing casting in the shape of Bill Hader, always good value in supporting roles, usually for Judd Apatow, but here voicing lead character Flint Lockwood, and Anna Faris, who has been quietly proving that she’s a great deal of more than fair a pretty face after that scene-stealing turn in Lost in Translation six years ago. She plays a perky weathergirl who hides her intellect in order to get ahead.
“After some of the dreck slung kiddiewards in the name of broad pastime this summer (hang your heads, Transformers 2 and Aliens in the Attic) it’s a relief to be able to wholeheartedly recommend a quality children’s film packed with sufficiency authentic invention, sharp scripting and sweet-natured charm to power a dozen lesser creations,” writes Channel 4 film’s Catherine Bray. “Animation and comedy have always been a good way of slipping in broadsides at social norms without looking like a preachy so-and-so, and there’s more criticism of global warming, sexism in the media, obesity issues and capitalism in this one thin skin than many one earnest documentary – but only if you care to look for it; Cloudy With a Chance of Meatballs never forgets its primary function as a very funny romp.”
“Phil Lord’s exuberant cartoon spring proves that 3D animation is a movable feast and not the preserve of Disney-Pixar alone,” writes our own Xan Brooks. “The film itself is a veritable buffet of the bland and the whimsical, the sweet and the sour, and all tastes are catered for together the way.”
“Cloudy With a Chance of Meatballs lacks the witchery of some other new offerings in this genre,” writes Toby Young in the Times. “But it has enough grownup gags to keep the adults amused, and their children will laugh themselves silly at the sight of police officers being drenched in Cheese Whiz.”
Finally, the Chicago Sun-Times’ Roger Ebert, who likes 3D about as much as most children enjoy eating their greens, is quietly approving of this one.
“I continue to find 3-D a distracting bane, but it must be reported the Sony process produces a sharp, crisp picture, with no visible imprecision between the matches of the images,” he writes, grudgingly. “There is clear definition betwixt closer and farther on elements. I’ve seen a lot of 3-D recently, and in terms of technical quality, this is the superlatively good.”
For me, Meatballs, in the teeth of that horrendous title, lacks the effortless understanding of the vagaries of the human emotion and spectacular notice to detail of a Pixar flick, but stands height and shoulders above other recent animated fare such as Ice Age 3 or Monsters Vs Aliens. The before anything else half is at the same time that insightful and witty as you’ll find in this hard-to-pitch mould, where writers often struggle for coherency as they vie to keep the kids happy while also dropping in the occasional spot of satire or double-meaning to please more sophisticated palettes.
Did you manage to catch this one at the weekend? If thus, did it leave a foul taste in the mouth? Or did you leave the cinema with appetite fully sated?
